Ricardo i Elena

PRIMA SEQÜENTIA	FIRST SCENE
VOX SUM NON FACTI.	I AM THE VOICE OF NOT-DONE.
AB INEXISTENTIA, NON POSSUM COGITARE NEC SCIRE ME NESCIRE.	FROM NON-EXISTENCE I AM NOT ABLE TO THINK NOR TO KNOW THAT I DO NOT KNOW.
IUSTE TEMPUS EST ANTE TEMPUS, QÜOD NUMQUAM TRANSCURRIT VELUT TEMPUS.	IT IS JUST A TIME BEFORE THE TIME, THAT NEVER GOES BY LIKE TIME.
NON DICO QÜOD DICO, ET SPATIUM NON VIDET SI EXISTIT.	I AM NOT SAYING WHAT I SAY; SPACE CANNOT SEE IF IT EXISTS.
SE QÜOR EXSPECTANS, SI EXSPECTARE CONTINUARE EST, SED NEQÜEO DIRE ME DIRE MOTUS.	I KEEP ON WAITING, IF WAITING MEANS TO GO ON, BUT I CANNOT SAY THAT I SAY MOVEMENT.
PROPE NON SUM, NEQÜE PROCUL; NEC SOLUS, NEC IMMENSUS, NEQÜE ORIGINALIS; SI SUM, NON SUM; CUIUS VOX?	I AM NOT NEAR, NOR FAR AWAY; NOR ALONE, NOR IMMENSE, NOR BEGUN; IF I AM, I AM NOT; THE VOICE OF WHOM?
NONDUM, NON EST SUFFICIENS.	NOT YET, IT IS NOT ENOUGH.
GIGNERE INTUS INEVITABILIS EST.	ENGENDERING FROM WITHIN IS INEVITABLE.
VACUUM EST NON-DEI.	IT IS A NON-GOD EMPTINESS.
SECUNDA SEQÜENTIA	SECOND SCENE
*ELENA:*	ELENA
RICARDE, PRANDIUM CONFECTUM EST JAM.	RICARDO, DINNER IS READY.
RICARDE, MULTUM TIBI DEFICIT AD FINIENDUM?	RICARDO, ARE YOU ALMOST FINISHED?
RICARDE, CIRCITER HORA SEXTA EST.	RICARDO, IT’S ALMOST 2 O’CLOCK.
RICARDE, MORAM FACIEBIS VALDE?	RICARDO, WILL YOU BE LONG?
RICARDE, PRANDIUM FRIGESCIT.	RICARDO, THE DINNER IS GETTING COLD.
RICARDE, VOLO LOQÜI TELEFONICE IN BARCINONEM.	RICARDO, I WANT TO PHONE BARCELONA.
RICARDE, ACCEDE IN TUORUM PARENTUM PHARMACIAM.	RICARDO, STOP BY YOUR PARENTS' CHEMISTS.
RICARDE, QÜOD TIBI DICO, AUDIS?	RICARDO, ARE YOU LISTENING TO ME?
RICARDE, DUM DESCENDERIS PORTAM POSTICAM CLAUDE.	RICARDO, SHUT THE DOOR AFTER YOU WHEN GO DOWNSTAIRS.
RICARDE, CANIS NONDUM REGRESSUS EST.	RICARDO, THE DOG STILL HASN’T COME HOME.
RICARDE, MANUS TUAS LAVA, ANTEQÜAM COMEDAS.	RICARDO, WASH YOUR HANDS BEFORE YOU EAT.
RICARDE, HODIE CINEMAM FACIUNT.	RICARDO, THERE’S A FILM ON TODAY.
RICARDE, COCHLEAS PARAVI.	RICARDO, I’VE COOKED SNAILS.
RICARDE, ABIIT LUX	RICARDO, THE LIGHTS GONE OUT.
RICARDE, CALCEOS MUTAVISTI?	RICARDO, HAVE YOU CHANGED YOUR SHOES?
TERTIA SEQÜENTIA	THIRD SCENE
*RICARDUS:*	RICARDO
HELENA MEA UXOR EST. CATALAUNENSIS BARCINONIS EST. OSTREAS MANDUCAT IN DIEBUS NATALIBUS, ATQÜE MARI SE ABLUIT SEX MENSIBUS ANNO. NONVULT VELUM MULIEBRE PORTARE, NEQÜE LUGUBREM VESTEM SIBI IMPONERE. NESCIO UTRUM SIT FELIX DUM HIC VIVAT, NIHILOMINUS CONOR QÜOD POSSUM UT CONTENTA VIVAT.	IT’S ELENA, MY WIFE. SHE’S A CATALAN FROM BARCELONA. SHE EATS OYSTERS FOR CHRISTMAS. SHE TAKES A SWIM IN THE SEA SIX MONTHS A YEAR. SHE DOESN’T WANT TO WEAR A MANTILLA OR BE IN MOURNING. I DON’T KNOW IF SHES HAPPY LIVING HERE, BUT I DO EVERYTHING I CAN TO KEEP HER CONTENT.
*DONAXONA:*	DONAXONA
HERI NOCTE, FILIUS MEUS DECIMAS HABEBAT, SED HODIE MANE EUM MISI IN SCHOLAM.	MY SON HAD A BIT OF FEVER LAST NIGHT, BUT THIS MORNING I SENT HIM TO SCHOOL.
*RICARDUS:*	RICARDO
HELENA MINOR EST QÜINQÜE SORORUM, SUPERVIVENTIUM EX TOTO SEXDECIM, ATQÜE MATER SUA ITA PARVA ERAT EAM VOCARENT O.	ELENA IS THE YOUNGEST OF FIVE SISTERS, A SURVIVOR OF A TOTAL OF SIXTEEN, AND HER MOTHER WAS SO SMALL THAT THEY CALLED HER O.
*DONAXONA:*	DONAXONA
CONJUX MEUS HABERE VELLET PUELLAM, SED EGO SECURA NON SUM. QÜIA BEL·LUM FINEM FECIT PAULO ANTE.	MY HUSBAND WANTED TO HAVE A GIRL, BUT I WASN’T SO SURE; THE WAR HAD ENDED A VERY SHORT TIME BEFORE.
*RICARDUS:*	RICARDO
PASSIO MEA PICTURA EST. SED TAM PATER MEUM QÜAM HELENA, UXOR MEA, FECERUNT QÜOD POTUERUNT AD ME OBLIGANDUM UT CURSUM ARTIS MEDICAE FINIREM ATQÜE PICTURAM OBLIBISCERER.	MY PASSION IS PAINTING. BUT BOTH MY FATHER AND ELENA, MY WIFE, DID EVERYTHING POSSIBLE TO MAKE ME FINISH MY MEDICAL STUDIES AND TO FORGET PAINTING.
*DONAXONA:*	DONAXONA
IN QÜIBUSDAM REBUS, MELIOR URBS EST. CUR IN BARCINONE NON REMANES? CONTINUA ET TACE.	FOR SOME THINGS, THE CAPITAL IS BETTER. WHY DIDN’T YOU STAY IN BARCELONA? KEEP ON PAINTING AND SHUT UP.
*RICARDUS:*	RICARDO
MUNDITIES HELENAE OBSESSIO EST. DOMUS ET QÜOD IN EA CONTINETUR IMPECCABILES SUNT. EAM NUMQUAM INQÜISIVI UTRUM EI PLACERET MUSICA. DUM UXOREM, AMORIS CAUSA, DUCIS, OBLIVISICI SOLES MULTA QÜAERERE. NUMQUAM, EXEMPLI CAUSA, NIHIL TIBI INTERROGAVI.	ELENA IS OBSESSED WITH CLEANLINESS. THE HOUSE AND EVERYTHING IN IT ARE IMMACULATE. I NEVER ASKED HER IF SHE LIKED MUSIC. WHEN YOU MARRY FOR LOVE, YOU USUALLY FORGET TO ASK A LOT OF QUESTIONS. YOU, FOR INSTANCE. I NEVER ASKED YOU ANYTHING.
*DONAXONA:*	DONAXONA
CUR DE MUSICA LOQÜERIS? TIBI EXPLICARE POSSUM QÜOD MIHI CONTIGIT DUM SCALAS ASCENDO ET DESCENDO.	WHY ARE YOU TALKING ABOUT MUSIC? I CAN EXPLAIN EVERYTHING THAT DOESN’T HAPPEN TO ME GOING UPSTAIRS AND DOWN.
*RICARDUS:*	RICARDO
NUNC PLUIT ET BICICLETAM RELIQUI IN VIA, SED NEQÜEO EAM INTRUDERE, QÜIA DOMUM MACULARET.HELENA COCHLEAS PARAVIT AD MANDUCANDUM.FRATER MEUS NESCIT BICICLETA INIRE, SED PIANUM TANGERE SCIT.CUR TIBIALES NIGRAS INDUIS AD ADENDUM MISSAM?	IT’S RAINING AND I’VE LEFT MY BICYCLE ON THE STREET, BUT I CANT BRING IT IN THE HOUSE. ELENA HAS COOKED SNAILS FOR DINNER. MY BROTHER DOESN’T KNOW HOW TO RIDE A BICYCLE, BUT HE KNOWS HOW TO PLAY THE PIANO. WHY ARE YOU PUTTING ON BLACK STOCKINGS WITH A SEAM TO GO TO MASS?
*DONAXONA:*	DONAXONA
SINE LUMINE, MAGNO TIMORE SUM IN SCALAS CADENDI: ADJUVAME.	WITHOUT LIGHT, IM AFRAID OF FALLING DOWN THE STAIRS: HELP ME.
QÜARTA SEQÜENTIA	FOURTH SCENE
*ELENA:*	ELENA
A DOMO MEA LONGE ABSUM ATQUE A MEA FAMILIA. HAEC SINDONES MEAE NON SUNT NEQÜE LAEVIGATAE LAMINA FERREA. EO FILIUM EXSPUERE, ADJUVATA A VOLSELLIS OBSTETRICIS, APPELLATI SECUNDINI IN PRIMA CONTIGNATIONE SUM; INFRA PHARMACIA EST ATQUE RIDICULA RERUM PARVI MOMENTI COMMUTATIO FINIT ABEUNDI SUB PERGULA.	I’M FAR FROM HOME AND FAMILY. THESE SHEETS AREN’T MINE, THEY ARENT IRONED. I’M GOING TO SPIT OUT A SON, HELPED BY THE TONGS OF A "MIDWIFE" CALLED SECUNDINO. I’M ON THE SECOND FLOOR, BELOW A CHEMISTS, AND SOME FIRECRACKERS JUST WENT OFF UNDER THE BALCONY.
SUNT POPULI DIES FESTUM.	IT'S THE TOWN FIESTA.
SI NECESSARIUM EST, MUGIO; SED MALO MUGITUS SERVARE TEMPORI, QÜOD NUNC INCIPIT.	IF I HAVE TO, I’LL HOWL, BUT I PREFER TO SAVE THE HOWLS FOR THE TIME THAT’S ABOUT TO BEGIN.
SI MUGIRE EST MUGIRE, MUGIENS SUM.	IF HOWLING IS HOWLING, I’M HOWLING.
MUGIO A FILIO ATQÜE A MATRE.	A HOWL FROM A SON AND A MOTHER.
MUGIENS, MUGIO FILIOS MUGITUUM.	HOWLING. I HOWL SONS OF HOWLS.
MUGITUS MATRIS, MUGIENTIS MUGITUS	HOWLS FROM A MOTHER WHO HOWLS HOWLS.
MUGIEMUS, FILI, ET MUGI, FILI MUGITUS.	LETS HOWL SON, AND HOWL, SON OF HOWL.
JAM MUGIES QÜOD MUGIES, MUGI FILI,	NOW HOWL WHAT YOU HOWL, HOWL SON
FILUS EST MUGITUS.	MY SON IS HOWLING. .
MUGIO ET SUFFICIT.	I HOWL AND THATS IT.
SATIS FILII.	ENOUGH SON
SEPTIMA SEQÜENTIA DÉU DE DÉU REDÉU QUE XUFLEGUES LA MARMOLLA VIRUDALL DE CONFLEXIONS RULLERIES I MELASSES. POSA LA CATRANYA, MACUNYA LO SERPIÓ, RECUVELLA LA FARITGIA PITROLLA I VERMOLETJA. DÉU DE DÉU REDÉU CAXUFLOT DE VERBORRIA I CLAUPEM DE LLEPONÀS. NO XAURRITGES LO LLATAFOLLS I XARRUTEIGES LO FORADALL CUPLEJAT DE REDÉU DE FLOCALLÓ. MISORNES LA FLECONIA? RECUPELLES LA VERNOTXA? TRUPETGES LO FACULL? RÉUNA DE VITUELLA FORNOSA, ACULL DE MITUVATS I EUS ESPURMATS. FURMELL, FURMELL, PUTRIM DE VEROLLA. LLAPETJO EL VUDRULL DEL SOFICÓ, REMOLITJO EL FEDRICOLL DE LA BURTOLLA FINS AL COLLOT DE LA VIRVA. FLEQUITJO I TRACULLETJO SENSE FÍCOLS, MATUSSEJANT EL PILUFERO. PITAU, PITAU QUINA RAFUTÍLIA PLENA DE XAUMOCS I VACUMS. XAUMEGO I XAUMEGO AL TOT DEL MARXUCO I FLICO DE PERICOLL COM MAMOLLS DE SERTANA ASBARNADA PUTRIXONA I FULLITERA. DEUOT DE REDÉUS FICALLONATS I AMPITUMATS DE CRISTIANOLA PIDULENTA I PIXATONA; QUITXEU, QITXEU LA CALÍSIA DEL SANGLOLL I ESPERMEU L'EUSCARÍTIA AMB LA DENTÒRIA DEL FELOCLASTA. FITEU, FITEU LA CAGALLÒTIA. DÉU DE DÉU REDÉU QUIN DÉU.	SEVENTH SEQUENCE DÉU DE DÉU REDÉU QUE XUFLEGUES LA MARMOLLA VIRUDALL DE CONFLEXIONS RULLERIES I MELASSES. POSA LA CATRANYA, MACUNYA LO SERPIÓ, RECUVELLA LA FARITGIA PITROLLA I VERMOLETJA. DÉU DE DÉU REDÉU CAXUFLOT DE VERBORRIA I CLAUPEM DE LLEPONÀS. NO XAURRITGES LO LLATAFOLLS I XARRUTEIGES LO FORADALL CUPLEJAT DE REDÉU DE FLOCALLÓ. MISORNES LA FLECONIA? RECUPELLES LA VERNOTXA? TRUPETGES LO FACULL? RÉUNA DE VITUELLA FORNOSA, ACULL DE MITUVATS I EUS ESPURMATS. FURMELL, FURMELL, PUTRIM DE VEROLLA. LLAPETJO EL VUDRULL DEL SOFICÓ, REMOLITJO EL FEDRICOLL DE LA BURTOLLA FINS AL COLLOT DE LA VIRVA. FLEQUITJO I TRACULLETJO SENSE FÍCOLS, MATUSSEJANT EL PILUFERO. PITAU, PITAU QUINA RAFUTÍLIA PLENA DE XAUMOCS I VACUMS. XAUMEGO I XAUMEGO AL TOT DEL MARXUCO I FLICO DE PERICOLL COM MAMOLLS DE SERTANA ASBARNADA PUTRIXONA I FULLITERA. DEUOT DE REDÉUS FICALLONATS I AMPITUMATS DE CRISTIANOLA PIDULENTA I PIXATONA; QUITXEU, QITXEU LA CALÍSIA DEL SANGLOLL I ESPERMEU L'EUSCARÍTIA AMB LA DENTÒRIA DEL FELOCLASTA. FITEU, FITEU LA CAGALLÒTIA. DÉU DE DÉU REDÉU QUIN DÉU.
*ELENA:*	ELENA
PUER VENIRE NOLUIT.	THE BOY DIDN’T WANT TO COME.
*RICARDUS:*	RICARDO
UT VESTITUR, MALO EUM NON VENIRE.	THE WAY HE DRESSES, I PREFER HIM NOT COMING.
*DONAXONA:*	DONAXONA
EADEM PERINDE SEMPER?	THE SAME AS EVER?
*ELENA:*	ELENA
INTER TE ILLUMQÜE, MIHI DEFRAUDATIS MANDUCANDI DESIDERIA.	BETWEEN YOU AND HIM, YOU TAKE AWAY MY APPETITE.
*RICARDUS:*	RICARDO
PARVOS CANCROS COMEDAMUS, QÜI NON SATIANT.	LET’S HAVE PRAWNS, THEY DON’T FILL YOU UP.
*ELENA:*	ELENA
EOS MANDUCA, QÜIA ACETARIA OLERA MALO	YOU EAT THEM, I PREFER SALAD.
*DONAXONA:*	DONAXONA
AD BIBENDUM?	AND TO DRINK?
*RICARDUS ET ELENA:*	RICARDO Y ELENA
CULPA TUA EST.	IT’S YOUR FAULT.
*EGO (A PIANO):*	YO MISMO (AL PIANO)
DUAS PARVAS SEPIAS OFFICINALES, ORYZAM SEORSUM, ATQÜE CERVISIAE FIDELIAM CUM AQÜA VALDE SUBTILE.	TWO LITTLE CUTTLEFISH, VALENCIAN RICE AND A JUG OF SHANDY.
*RICARDUS:*	RICARDO
SUA CUM BROSSA RELATIO MIHI DISPLACET, ATQÜE CAPIO SE IN POLITICAM ANIMUM INTENDERE.	I DON’T LIKE YOUR RELATIONSHIP WITH BROSSA, AND I’VE HEARD HE'S MIXED UP IN POLITICS.
*ELENA:*	ELENA
NUNC ADMODUM TARDE EST JAM. OBCAECATUS ES PIANO ET VIDE.	ITS TOO LATE NOW. YOU STUBBORNLY INSISTED ON THE PIANO AND YOU GOT IT.
*DONAXONA:*	DONAXONA
HIC SUNT ACETARIA OLERA ET PARVI CANCRI.	HERE’S THE SALAD AND THE PRAWNS.
ALIQÜID AMPLIUS CUPITISNE?	DO YOU WANT ANYTHING ELSE?
*RICARDUS:*	RICARDO
CUI SIMILIS EST PUERULUS HIC?	WHO DOES THIS KID TAKE AFTER?
*ELENA:*	ELENA
INGREDI EUM COLLEGIUM VOLEBAM ATQÜE NOLUISTI.	I WANTED HIM TO GO TO A BOARDING SCHOOL, BUT YOU DIDN’T WANT HIM TO.
*RICARDUS:*	RICARDO
DUM PIANUM TANGIT, OMNIA OBLIVISCOR	WHEN HE PLAYS THE PIANO, I FORGET EVERYTHING.
*DONAXONA:*	DONAXONA
OMNES OMNIA QÜAESUMUS ATQÜE DENIQÜE QÜAE POSSUMUS MANDUCAMUS.PARENTES, REI INTIMA, NEMINIS FILII NON SUNT.	EVERYBODY WANT EVERYTHING, AND FINALLY THEY EAT WHAT THEY CAN. PARENTS, AT BOTTOM, AREN’T ANYBODY'S CHILDREN.
*EGO (CANENS TO-CA-TI-CO-TO-CA-TA)*	ME (SINGING TO-CA-TI-CO-TO-CA-TA)
*ELENA:*	ELENA
IMPOSSIBILE EST FILIUM NOSTRUM EUM ESSE. NEQÜEO FLENDI MORARI.	HE CAN'T BE OUR SON; I CAN’T STOP CRYING.
*RICARDUS:*	RICARDO
GENS INSPECTAT NOS ET ADHUC ME APERTURUM NON ESSE EI LITTERAS DICIS.	PEOPLE ARE LOOKING AT US AND YOU STILL SAY THAT I DON’T HAVE TO OPEN HIS MAIL
*ELENA:*	ELENA
TANDEM, MANDUCAVIMUSNE, AN NON?	WELL, HAVE WE EATEN OR NOT?
*RICARDUS:*	RICARDO
IN SOLITUDINE QÜAE SPECTAT NOS, COGITA; NIHIL QÜOD FECIMUS. SPECTES PRO OMNE.	THINK ABOUT THE LONELINESS THAT AWAITS US. DON’T EXPECT ANYTHING, IN EXCHANGE FOR ALL WE HAVE DONE.
*ELENA:*	ELENA
CARRI SE MOVENTIS ACCIDENTEM HABERE: ID EST ULTIMUM QÜOD HABUIMUS. PROXIMUM QÜOD FACIAMUS ITERUM MISSAM INIRE ERIT.	THE LAST THING THAT WE DID WAS TO HAVE ANOTHER CAR ACCIDENT; THE FIRST THING WELL DO IS TO GO TO MASS AGAIN.
*RICARDUS:*	RICARDO
DUM VIAM TRANSEO, UBI ASPECTURUS SUM? SI UNDIQÜE NON ASPICIO, SEMPER APUD DOMUS PORTAM ERO.	WHERE SHOULD I LOOK WHEN I CROSS THE STREET? IF I DON’T LOOK ANYWHERE, I’LL ALWAYS BE AT THE FRONT DOOR AT HOME.
*DONAXONA*	DONAXONA
UNICUIQÜE SORS DIFFERENS EST, SI VIS. ALIQÜID MAGNUM SORTIS NON VULTIS.	BEING LUCKY IS DIFFERENT FOR EACH PERSON, IF YOU WILL. YOU DON’T WANT TO EXPECT MUCH FROM LUCK
CRURA APERIO DUM VOLO, QÜOD SORS EST.	I OPEN UP MY LEGS WHEN I WANT TO, AND THATS LUCKY.
*ELENA:*	ELENA
ET SATISFACE PECUNIA ET PROCEDAMUS.	PAY AND LET'S GO
*RICARDUS:*	RICARDO
NUMQÜAM INTER NOS LOCUTI SUMUS, PROPTEREAQÜE NUMQÜAM POTUIT NEMO NOS AUDIRE.	WE’VE NEVER TALKED, NOT YOU, NOT ME, SO NO ONE COULD EVER LISTEN.
*EGO (TANGENS MOZART)*	ME (PLAYING MOZART)
*RICARDUS ET ELENA:*	RICARDO AND ELENA
DUM ID TANGEBAM, CRURUM VESTEM INDUEBAM PARVAM.	WHEN IT WAS TIME FOR THAT, I WAS WEARING SHORT PANTS.
*ELENA:*	ELENA
POTUM PETAMUS, "CARAJILLO" VULGO DICTUM. DIEBUS DOMINICIS NUMQÜAM EXHAURIUNTUR	LET’S ORDER A COFFEE WITH BRANDY. SUNDAYS NEVER END.
*DONAXONA:*	DONAXONA
CRASTINA DIES, BONA DIES MIHI ERIT.	TOMORROW IS ALL RIGHT FOR ME
*RICARDUS:*	RICARDO
AD AMBULATORIUM, HORA SEXTA APPROPINQÜA.	COME TO THE HEALTH CENTRE AT FOUR.
*OMNES UNITI, CANTEMUS*	*ALL TOGETHER, LET'S SING*
"TRAMUNTANA" JAM MUGIT	TRAMUNTANA IS HOWLING
DECIMA SEQÜENTIA - RITUALE-	TENTH SCENE -RITUALE-
*RICARDUS:*	RICARDO
PER HOS OMNES ANNOS, NEMO QÜIDQÜID MIHI INTERROGAVIT, NEQÜE HELENA, UXOR MEA, ET ADHUC MINUS, FILIUS MEUS.RESPONSA HABEO MOLTA QÜAE UTI NON POTUI.	FOR A LONG, LONG TIME, NOBODY ASKED ME ANYTHING, NOT ELENA, MY WIFE, AND MY SON, EVEN LESS. I’VE GOT A LOT OF ANSWERS THAT I’VE NEVER BEEN ABLE TO USE.
SEMPER ITA FUIT.	I’TS ALWAYS BEEN LIKE THAT
QÜOTIESCUMQÜE.	SOMETIMES
CUM ARROGANTIA MULTA.	WITH A LOT OF PRIDE
CERTE.	CERTAINLY
NECESSARIUM OMNINO	ABSOLUTELY NECESSARY
NULLO MODO	IN NO WAY WOULD I EVER
ID NOVE FACEREM.	DO IT AGAIN
NON.	NO
HAEC OMNIA RESPONSA PLURAQÜE OMNIBUS INTERROGATIONIBUS, QÜAE CONCIPI POSSUNT, SATISFACERE VALENT.VITA SINE INTERROGATIONIBUS ATQÜE SINE RESPONSIS. MIHI MULTUM PERPLACERET OFFERRE VITAM HANC SINE INTERROGATIONIBUS ATQÜE SINE RESPONSIS INUTILI CAUSAE INSATISFACIENTIQÜE. SE REFERRE ALICUI TAM INTRANSCENDENTI FATIGOSAM PRODUCIT IMMOBILITATEM. INSTAR LEGERE ET EXSCRIBERE UNO TEMPORE; VEL SUB AQÜA COMEDERE. INUTILE EST IN CANTICO SEQÜI, SI PRIMAS PARTES NON HABES AMBITIONEMQÜE OBLITAM.PER MANUS TRANSEUNT MEAS FORMAE STRUCTURAEQÜE QÜAE ALIENAE SUNT HIS QÜAE DICO ET QÜAE ULLAM MIHI SIGNIFICATIONEM NON HABENT. SCRIPTURA EST, QÜAM QUIDAM MIHI PROPONIT, QÜAEQÜE A SE IPSA DATA EST VELUTI RES POLITA MULTO. ABSUM ET NESCIO QÜOD LOQÜOR VEL CANO.UT ALIQÜIS ANTEA DIXIT, PARENTES FILII NEMINIS NON SUNT,NUMQÜAEMQÜE RURSUS PARENTES NIHIL ERUNT.INUTILE EST ALIQÜEM AURES MIHI ADHIBERE.	ALL THESE ANSWERS, AND MANY MORE, COULD ANSWER ALL THE QUESTIONS IMAGINABLE. A LIFE WITHOUT QUESTIONS AND WITHOUT ANSWERS. I’D LIKE TO OFFER THIS LIFE WITHOUT QUESTIONS, AND WITHOUT ANSWERS, TO A USELESS AND UNSATISFACTORY CAUSE. TALKING ABOUT SOMETHING SO IRRELEVANT CAUSES PAINFUL IMMOBILITY, BOTH FOR READING AND COPYING AT THE SAME TIME, OR FOR EATING UNDER WATER. IT’S USELESS TO KEEP ON SINGING, IF YOU DON’T HAVE A CLEAR PREFERENCE AND A FORGOTTEN AMBITION. A SERIES OF SHAPES AND STRUCTURES THAT DON’T HAVE ANYTHING TO DO WITH WHATI’M SAYING ARE PASSING THROUGH MY HANDS, AND THAT, FOR ME, DON’T HAVE ANY MEANING. ITS WRITING THAT SOMEONE SUGGESTS TO ME ANDCOMES BY ITSELF, LIKE SOMETHING THAT’S ALREADY BEEN PREPARED. IM NOT HERE, AND I DON’T KNOW WHAT I’M TALKING OR SINGING ABOUT. LIKE SOMEONE SAID BEFORE, PARENTS AREN’T THE CHILDREN OF ANYONE AND THEY’LL NEVER BE PARENTS OF ANYTHING. IT’S USELESS FOR ANYONE TO LISTEN TO ME.